Keep Watching Sweet Molasses!

Devona and I redesigned Sweet Molasses in 2013 to orient it around elevating choreography in our dance community, and I’m gald that Paul and Sarah have kept that up since 2016!  No other Blues event focuses on performance in the same way, and it’s good for an event to have a well defined niche, but beyond that choreography is important to us.  Artistically it gives us a chance to be intentional about what we say and push the boundaries of our movement, and in terms of community it gives those of us who are less competitive a way to be in the spotlight.

There have been so many fantastic performances and amazing new artists over the last few years I can’t give them all their own post, but I invite you all to have a fun evening looking through the archives on the Sweet Molasses Blues youtube channel sometime!

https://www.youtube.com/channel/UCEa0Ls1BaMEsNK-j-NJiJkg/playlists

The B Sides 2018

Why go with something simple like “proscenium”, “thrust”, or “in the round” when you could dance in a  torus!

This is just a quick post to link a great piece; for full interviews see 2016 and before.