Hell Hound Blues

I was reminded of this blog from when I used to run Sweet Molasses the other day, and I figured I’d add some more pieces that either I never got around to posting before or have happened in the last few years.

I don’t have any interviews for them, but hopefully this will make the blog a more complete resource for people looking for inspiration!

First up: Hell Hound Blues, choreographed by Devona Cartier for the 2011 Boston Blues Shout!  I remember her telling me that her idea was to portray a bunch of people hanging out for an evening in a bar.  Also, have fun watching how bad my dancing was 8 years ago!

This is just a quick post to link a great piece; for full interviews see 2016 and before.


red rum … Red Rum … Red SHOES!

The story of a blues musician selling his soul to the devil at the crossroads is such classic imagery, I’m surprised nobody has thought to make a piece like this before!  As always, Julie nails her interpretation of her theme through dance.  When I look back over the series of dances she’s choreographed, I’m really impressed with the versatility of her movement – it’s always so different, but always exactly what is needed at the moment.

What did you want to express with this choreography?

For a little while now, I’ve been playing with the idea of being not-in-control of my movement and with movement that doesn’t look controlled.  I started exploring that in my last solo piece, “Blue Midnight,” where I danced as a drunk character, and “Red Shoes” continues that exploration with a character whose shoes possess her & make her dance awesomely but not in ways she controls. The title and very basic concept came from the ballet titled “the red shoes,” which I saw when I was younger. I also thought a piece focusing on foot and legwork would fun and different for me.

Why did you choose the song for the piece?
I had started choreographing this to Memphis Minnie’s “Bad Luck Wiman” because I liked the rhythms, and Memphis Minnie is a boss. But around the same time, I was somewhere where Jenny Sowden DJed “Who Will Be Next” by Howlin Wolf, which I thought was really awesome and also had some great rhythm to play with (thank you, Jenny!). The Howlin Wolf song also had a darker and I guess more demonic feel to it, so it seemed appropriate for a piece that involved possession.

What other dances influenced or inspired this one?
While talking about the concept, I got pointed to a cool LXD video called “Elliot’s Shoes,” which is basically the same concept. That piece have me a lot of ideas for the beginning of my piece. I also watched A LOT of James Brown and Michael Jackson clips, as well as my usual dose of looking at cool hip hop & breaking floor work videos.

How did you go about combining your concept, song choice, and influences to create the finished choreography?
Creating this piece was really fun but also extremely challenging. It involved a lot of fun experimentation to create the movements–lots of rolling on the floor, and a lot of “what else can I do with my feet?,” “how can I make this movement look like my feet are generating it?”. That was really fun. There were many challenging aspects thought too. It was physically challenging in many parts to get the look I wanted, and also challenging in terms of the dramatic arc of the piece–the song has a structure that’s repetitive and, other than the climactic instrumental section, there’s not a large change in the song that would indicate some change in the character, which I wanted to have for plot/interest reasons. I also went back and forth a lot with the balance of comedy vs fear/darkness in the tone if the piece, feeling out how my character reacted to the possession at different points in the piece; something I might play with in later performances. The last challenge was to physically execute some of the stuff while still playing a character & expressing how I’m reacting to the possession. If I’m able to perform this again, I’ll definitely be working on that.