Noir Blues

Here’s another great example of where the quality of the performance really makes the piece.  I’ve seen a lot of performances which try to use a blank or neutral look to seem mysterious or thought provoking, but really not have the depth to pull it off.  Here Shawn, Julie and Natalya take that attitude and use it consistently and creatively in a way that really draws me in!

What did you want to express with this choreography?

Natalya: We wanted this piece to have a “Film Noir” feel and experiment with lots of interesting, tangley 3-person shapes and partnering.  We started with the idea of us playing the roles of typical film noir characters – the detective, the secretary and the femme fatale – and we thought of the song as being narrated by the detective, expressing his heartbreak at having found a letter left behind by a lover who has gone.  

We did most of the choreographing with just these inspirations, and then later worked out the specifics of the story.  The plot line we had in mind was that the secretary (Julie), was the detective’s ex lover who he was not over when he started being involved with the femme fatale (Natalya).  So the detective is being pulled away from the femme fatale by memories of the secretary.  In the end, the femme fatale leaves him too, leaving behind the letter saying “there’s no use you lookin’, or ever hoping to get me back”, and the detective is left alllll alone :(.  

We thought of the piece as him remembering back to what happened like a day dream – that’s the mental image that probably resulted in the neutral affect we ended up having.  We didn’t want to spell this plot out for the audience though – we wanted the audience to be able to get the feel of the piece and leave the specifics of the plot up for interpretation.  I think this was achieved given the feedback we got!  

Julie: Also, when choosing the roles of the secretary and femme fatale in our “plot,” we purposefully chose the secretary to be the one drawing the detective away from the femme fatale. We wanted to be careful with that choice a) to not be too predictable or fall into tropes, and b) to avoid reinforcing any messages about your man/person being “drawn away” by someone more attractive/sexy.

Why did you choose the song for the piece?

Natalya: Julie picked the song, and again, it all stemmed from the Film Noir theme.  The song itself has the right dark, dramatic feel and the lyrics describe a typical film noir plot.

Julie: The 3 of us wanted to do a piece together, so I offered up a few songs + concepts, and this was the one we decided to do. For me, it had a good dramatic feel, and as Natalya said, felt like a Film Noir. I think it’s those horns in the beginning and the cymbal tap…Seems Noir-y.

What other dances influenced or inspired this one?

Julie: We didn’t draw too much on other dances/dancers for this. I looked at a bunch of Chicago-style Steppin trio dancing videos for inspiration for the parts where all 3 of us partnered together, but I don’t know if we ended up using anything from that.

How did you go about combining your concept, song choice, and influences to create the finished choreography?

Natalya: We choreographed the first half of the piece remotely, when Shawn and I were in New York and Julie was in Boston.  Julie would send Shawn and I a few written ideas, Shawn and I would work out the details and fill in the blanks and send a video to Julie for feedback.  Our early videos even featured guest artists such as Josh Fialkoff in the role of Julie Brown.  

Then we met all together for a couple of long sessions when we were all together in the same room to set the tangley bits that finish the piece.  Our process there was to throw out a series of rather ridiculous ideas (e.g. “what if we both just jump on Shawn now?  hahaha”), try them out and see what worked.  There was a lot of playful “what if…” and “yes and…”, which made the choreographic process super fun.

Shawn: Yeah!  It was an incredibly fun process.  Natalya and Julie are both a fountain of good ideas.

Julie: Yeah, the whole process was really fun! It was cool to do the remote-choreographing thing–I give an outline/some ideas, and Natalya & Shawn bring it to life! And choreographing the 3-person parts was particularly fun! Lots of silly ideas, trying things…I still can’t believe that 3-person lift worked out, but it’s awesome!

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